A
YEAR IN THE ARTS
The residential Baha'i Academy
for the Arts is held for a week each summer at Sidcot in Somerset.
It's an opportunity for
professional and amateur artists to present the best of their
work to the UK Baha'i community.
"I'm suffering from
an overdose of excellence!" A father-of-two leaves a
performance beaming. A teenage student observes: "I've
come away with a lifted spirit. Another participant enthuses
about making a "wonderful group of new friends and discovering
new art forms."
Since its foundation in
1993, the annual Arts Academy has provided a nurturing, yet
challenging, training environment for the spiritual, artistic
and personal growth of its participants. Hundreds of former
students have gone on to further their artistic interests.
For some, the Academy has been life-changing.
Formerly distracted, even despondent, youngsters have become
dynamic centres of creative activity in their home towns.
Such is the power of creating a learning environment which
recognises the unique capacities and potential of everyone
who attends.
A few miles down the road
from Sidcot School, another artistic experiment unfolded during
the year 2000 within the dramatic setting of the Cheddar Caves.
"Who is Writing the Future?", a multi-media experience,
was devised by impresario Jeremy Herbert, a Baha'i who, in
setting up Declare International Productions,
hopes to introduce audiences to profound ideas about the course
of human history.
"Who is Writing the
Future?" took audiences around a succession of caves
where they experienced music, dance and film projections.
The theme was where we have been, where we are now, and where
we are going.
The result - a thought-provoking
artistic interpretation of humanity's evolution from barbarism
through the turbulent conflicts caused by unresolved prejudices,
on towards a vision of a future where co-operation and tolerance
are the hallmarks of an increasingly mature human race.
The Academy for the Arts
is the highlight of an annual calendar of artistic events
organised by Baha'is. Art is regarded as more than just a
rewarding pastime or an entertaining means of escape from
everyday concerns. Baha'u'llah, the founder of the Baha'i
Faith, encouraged artists and craftsmen
to "advance the affairs of mankind". Artistic activity
is commensurate with worship, and taps the great reservoirs
of human potential.
Artistic expression has
always been central to Baha'i community life. From its earliest
years, music has played a crucial role in meetings of worship.
Some of the 20th Century's outstanding artistic talents openly
identified themselves with the Baha'i teachings - the potter
Bernard Leach, the painter Mark Tobey, the jazz trumpeter
Dizzy Gillespie, the outstanding Afro-American poet Robert
Hayden. Baha'i ideals were also publicly admired by such literary
luminaries as Leo Tolstoy, Kahlil Gibran, Rabindranath Tagore,
Henry Miller and Romain Rolland.
This tradition of high profile
supporters of the Baha'i Faith continues in the United Kingdom
in the present day. During 2000, two Baha'i jazz musicians
thrilled audiences at Ronnie Scott's in London - the reed
player James Moody and the Brazilian singer Flora Purim. Both
learned of the Baha'i teachings from
Dizzy Gillespie and both see their music as a ladder to uplifting
the human spirit.
Another Brazilian Baha'i,
the distinguished artist Siron Franco, also made an impact
on London audiences with an exhibition of his beautiful and
mysterious cocoon sculptures at the Elms Lesters Painting
Rooms in Soho.
Other Baha'is who enjoyed
critical and popular acclaim during the year were the Iranian
stand-up comedian Omid Djalili, recently awarded "Time
Out Comedian of the Year" and the contemporary music
outfits - Merz and Lunar Drive.
But it is at a grassroots
level that artistic activity can touch people's lives most
deeply. Members of Baha'i Youth Dance workshops, notably Express
Freedom in the north east of England, take their series of
dances depicting the dangers of drugs, racial prejudice, gender
equality and other social issues onto
the streets of inner cities.
In Canterbury, the Baha'i-inspired
Art and Faith exhibitions bring together people of different
faith traditions to show how their work has been inspired
by their belief. In Northamptonshire, a multi-racial choir
demonstrates that differences of culture, age, religious background
and class can be overcome by the simple power of singing together.
In the Midlands, the members of Unity in Diversity take performances
teaching citizenship into schools providing a much valued
service to teachers and pupils.
Through all of these activities,
Baha'i artists hope that their optimistic vision for the future
of humanity will touch people's hearts more effectively, and
inspire in their audiences a sense of their own potential.
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