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It may seem hard to believe but the Australian outback in
the late 19th century was a crossroads of diverse cultures.
The Aboriginal peoples not only found themselves sharing their
ancestral homelands with Christian missionaries but also,
Afghan Muslim camel drivers imported to carry produce out
to the inhospitable desert townships.
This intermingling of traditions and ideologies and its impact
on settlers and native people alike forms the intriguing setting
of a brave new film, Serenades, written and directed
by Mojgan Khadem, an Iranian-born Bahá’í from Adelaide.
In 1978, she escaped her homeland with her mother. Training
followed at the Australian Film Television and Radio School.
From her own experience of religious intolerance, Khadem
long nurtured the desire to explore the issue in a feature
film.
In this, her first motion picture, she tells the story of
a girl of mixed Aboriginal and Afghan parentage, raised on
a mission, who embarks on a journey of self-discovery by testing
the three cultures which have shaped her upbringing.
Promised in an arranged marriage to an elderly cleric, she
finds herself torn between the traditions of her Muslim father,
her Aboriginal mother and her childhood sweetheart, a German
Lutheran.
While the characterisation is occasionally let down by a
lack of individuality, bordering on cultural stereotyping,
the traditions depicted provide a rich source of imagery.
The cinematography by acclaimed Australian cameraman Russell
Boyd is the film’s strongest point. At times, the actors struggle
to compete with the real stars of the film - the visually
enthralling rituals, the vast landscape and a haunting soundtrack.
Serenades is an impressive first feature from a promising
director. It brings a little known aspect of history to light
and explores issues which are highly topical today as more
and more diverse cultures and religious traditions find themselves
sharing the same environments and having to work with the
consequences of the encounter.
The UK premiere of Serenades will take place at the Bahá’í
Academy for the Arts, Sidcot, Somerset, 27 July -3 August.
For further information, email Margaret Appa, at margaretappa@hotmail.com
RW
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